Clearly this process isn’t for converting a blockbuster feature films to H.264 for your home movie collection. Now, I should make it clear that this process described here is only for unencrypted/unprotected DCPs. However, in a few instances I’ve had a need to reverse that conversion. In the vast majority of cases you would want to take your finished film, and convert it TO a DCP for distribution to cinemas, film festivals and so on. The emphasis of this format is on high-resolution, and high-quality – supporting up to 4k films encoded using the JPEG2000 codec. DCPs (or Digital Cinema Packages) are a fairly specialised form of distributing films and video for digital cinema.
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